|
2012 |  | Director: Roland Emmerich
Actors: John Cusack, Chiwetel Ejiofor, Danny Glover, Woody Harrelson, Tom McCarthy
Studio: Sony Pictures
Category: DVD
List Price: $28.96
Buy Used: $4.17
as of 7/31/2010 08:55 ICT details
You Save: $24.79 (86%)
New (46) Used (57) from $4.17
Rating:  453 reviews
Sales Rank: 252
Format: AC-3, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC
Languages: English (Subtitled), French (Subtitled), English (Original Language), French (Original Language), French (Dubbed)
Rating: PG-13 (Parental Guidance Suggested)
Region: 99
Discs: 1
Aspect Ratio: 2.40:1
Running Time: 158 Minutes
Shipping Weight (lbs): 0
Dimensions (in): 7.5 x 5.3 x 0.6
MPN: COLD27517D
UPC: 043396275171
EAN: 0043396275171
ASIN: B001OQCV2E
Theatrical Release Date: July 10, 2009
Release Date: March 2, 2010
Availability: Usually ships in 1-2 business days
| |
| |
| Features:
| • | Adventure, Action, Science Fiction Exhilarating and Jaw dropping. |
|
| Similar Items:
| |
| Editorial Reviews:
Product Description
AN EPIC ADVENTURE ABOUT A GLOBAL CATACLYSM THAT BRINGS AN END TO THE WORLD AND TELLS OF THE HEROIC STRUGGLE OF THE SURVIVORS.
Amazon.com
br /Now this is how you destroy the world. Roland Emmerich's em2012/em pounces on a Nostradamus-style loophole in the Mayan calendar and rams the apocalypse through it, gleefully conjuring up an enormous amount of Saturday-matinee fun in the process. A scientist (Chiwetel Ejiofor) detects shifting continental plates and sun flares and realizes that this foretells the imminent destruction of the planet. Just as the molten lava is about to hit the fan, a novelist (John Cusack) takes his kids on a trip to Yellowstone; later he'll hook up with his ex (Amanda Peet) and her new boyfriend (Tom McCarthy) in a global journey toward safety. If there is any safety. The suitably hair-raising plot lines are punctuated--frequently, people, frequently--by visions of mayhem around the globe: the Vatican falls over, the White House is clobbered (Emmerich's emIndependence Day/em was not enough on that score), and the California coastline dives into the Pacific Ocean. Unlike other action directors we could name, Emmerich actually understands how to let you see and drink in these vast special-effects vistas--and they are incredible. He also honors the old Irwin Allen disaster-movie tradition by actually shelling out for good actors. Cusack and Ejiofor are convincing even in the cheesiest material; toss in Danny Glover (the U.S. president), Woody Harrelson (a nut-bar conspiracy-theorizing radio host), Thandie Newton, and Oliver Platt, and you've got a very watchable batch of people. Emmerich hasn't developed an ear for dialogue, even at this stage in his career, and the final act goes on a bit too long. This is a very silly movie, but if you've got a weakness for B-movie energy and hairbreadth escapes, em2012/em delivers quite a bit of both. em--Robert Horton/embr / br /br /br / span class="h1"strongStills from em2012/em (Click for larger image)/strong/span table border="0" cellpadding="4" cellspacing="4" width="100%" p/p p/p tbody tr align="center" valign="top" tdimg align="left" border="0" src="http://g-ecx.images-amazon.com/images/G/01/dvd/sony/APlusDetailPages/2012/2012-1-S.jpg" / br //td p/p tdimg align="left" border="0" src="http://g-ecx.images-amazon.com/images/G/01/dvd/sony/APlusDetailPages/2012/2012-8-S.jpg" / br //td tdimg align="left" border="0" src="http://g-ecx.images-amazon.com/images/G/01/dvd/sony/APlusDetailPages/2012/2012-2-S.jpg" / br //td p/p /tr tr align="center" valign="top" tdimg align="left" border="0" src="http://g-ecx.images-amazon.com/images/G/01/dvd/sony/APlusDetailPages/2012/2012-5-S.jpg" /br //td p/p tdimg align="left" border="0" src="http://g-ecx.images-amazon.com/images/G/01/dvd/sony/APlusDetailPages/2012/2012-10-S.jpg" /br //td tdimg align="left" border="0" src="http://g-ecx.images-amazon.com/images/G/01/dvd/sony/APlusDetailPages/2012/2012-7-S.jpg" /br //td br / p/p /tr tr align="center" valign="top" tdimg align="left" border="0" src="http://g-ecx.images-amazon.com/images/G/01/dvd/sony/APlusDetailPages/2012/2012-3-S.jpg" /br //td p/p tdimg align="left" border="0" src="http://g-ecx.images-amazon.com/images/G/01/dvd/sony/APlusDetailPages/2012/2012-6-S.jpg" /br //td tdimg align="left" border="0" src="http://g-ecx.images-amazon.com/images/G/01/dvd/sony/APlusDetailPages/2012/2012-4-S.jpg" /br //td /tr /tbody /table p/p
|
| Customer Reviews:
Showing reviews 1-5 of 453
 Awesome movie, forget all the bad reviews they are by unsuccessful moviemakers. July 30, 2010
Alex Vox (Winnetka, IL)
This is fun, well composed, and decently done picture. It delivers GREAT and BELIEVABLE catastrophe and while one can find some cliche here and there, IT IS ENJOYABLE movie and that what matters. You can't expect some terrific acting or massive, deep character development, but they all are well done. You getting a very believable sketch of various characters, some of them are well developed and realistically heroic in their ways. There's very science provoking swing to the core of the entire story. I would agree with critics that ending is little too much, but it is the way of the genre. In short, it is one of the greatest catastrophe movies ever filmed.
 Silly and Mindless July 29, 2010
P. B Rubalcaba (Redlands, CA USA)
I labored through the disaster film "2012" last night and I was deeply diisappointed. Not only does this flick have a silly and totally unbelievable storyline, but it runs 2 hours and 38 minutes (should have been no more than 90 minutes) long. Though it does have some excellent special effects, the action scenes are ridiculously funny. I'm sure the producers didn't plan it that way. However, if you just want to see a visual, mindless popcorn pooper, this one is for you.
 A beginning to end thriller-- for its appropriate audience. July 29, 2010
Reanna R. King (Wisconsin, USA)
Before I begin my review, I must introduce myself as an optimist and a very emotional, sentimental person who usually prefers happy endings. I cry at episodes of cartoon shows, and I tend to become very emotionally invested in anything I watch or read. Despite this, I have a soft spot for disaster movies, the more over the top the better. I went into this movie already having enjoyed Independence Day and The Day After Tomorrow, but unsure how I would receive this. The trailer wowed me, but I was unsure if I could handle a film of this magnitude.
br /
br /The title of my review ought to speak for itself: far too many come into this film expecting something that is obviously not part of the Roland Emmerich-disaster-film package deal. You ought to know by now that this is Hollywood: there will be contrived coincidences, bogus science and one-in-a-million-chance events happening every time they need to for the purpose of the story. I pity those who snookered themselves into expecting anything less, and do sincerely hope they find the perfectly realistic, even-tempered and dead-serious film about global apocalypse they seemed to have come looking for, even if it hasn't been made yet.
br /
br /I'll begin with the story: It's an adequate vehicle to carry what we all came to see: the world as we know it coming to an end. As I said, I tend to be sentimental, so I teared up at parts, but most probably will not. The characters are, at least, an interesting array of players and most of the ones that we intimately get to know throughout the film will survive through to the end (I'm also not big on character death, so this was fortunate for me). In addition, Emmerich, fortunately, must have heard the legendary Alfred Hitchcock proclaim that even when you're writing drama and suspense, one must, while winding up the viewer tighter and tighter, let them a little loose with a joke otherwise you'll wind them too tight. Now, this is paraphrased, but my point is is that I appreciated the sporadic, but generally well-placed use of the occasional one-liner to let a little tension out. The pacing of the movie left a little to be desired, as while the film got to the action quickly and delivered relentless one-two punches of scenes of destruction and the "ark" scenes were good, the epilogue was far too short, and I ended up wanting a little more exposition on the future of mankind.
br /
br /The science, or lack thereof, behind the movie: Who cares? It's a film. I happen to be a big fan of science, but one should never let it get in the way of a fun story. Moving on.
br /
br /The special effects: Generally, they're well done but can be rather overwhelming. Although, I suppose that was to be expected. Most of the best scenes of destruction were in the trailers, so if you've seen those, you've probably seen most of them. Still, don't let that discourage you: it really is how the scenes are framed that provide much of their impact. It is a decent example of stunning visuals supplemented by the writing behind it. The scenes that existed were stunning, but I couldn't help being hungry for a bit more.
br /
br /The score: I'm a bit of a music geek, so I tend to comment on a film's score as one of my first reactions to seeing it. At all times, the score was appropriate and adequately written, but rarely provided anything exceptional or out of the ordinary for a film score of this variety. It earns a passing grade, certainly, as it does what any film score is meant to do: to elevate the emotions behind the visuals and the writing.
br /
br /To sum up, any viewer coming into this film really ought to know what to and what not to expect. If you know what to expect, and what you're expecting is what you're hoping to see, you will not be disappointed.
Skip it. July 28, 2010
John B. Ludwick (Indianapolis, IN United States)
I was in the mood for a wild, special effects extravaganza - but I didn't know I'd be renting this bomb of writing, directing, and choice special effects.
br /
br /The director is Roland Emmerich - you'll know him for 'excellent' fare such as Independence Day, Godzilla, The Patriot, The Day After Tomorrow (only Roland would make a global-warming movie about the earth freezing!), and so on. What these movies all have in common is an incredibly-hard-to-swallow over-the-top Karmic irony which sees bad character punished by random, action-oriented coincidence. Horrific disaster is treated like a sort of wonder-of-nature amazement (drinking game: every time they say something like, "you gotta see this!"). You can see the special effect coming from a mile away! The dramatic irony isn't subtle or thought-provoking, it's just obnoxious. One of these days, one of Roland Emmerich's films is going to come true, and he's going to rightfully say, "YOU GOTTA SEE THIS!"
MAYAN PROPHECY MEETS HAB THEORY PLUS BAD SCIENCE July 27, 2010
Michael Ledo (Windsor, SC United States)
The theory of shifting crusts is not new, but if it did occur, the theory also states that the crust shifts around certain centers which will be unaffected by the shift. Mutating neutrinos? What is that? Once you get by the gibberish, you get into a bad script. The actors did what they could to save it, but when the script goes south, Cusack couldn't carry the load. There are long drawn out ridiculous scenes where Cusack barely saves his family as the world collaspes only inches behind him. Limos and Winnebagos do not handle like NASCARs. Woody Harrelson as a modern day conspiracy prophet gave us some good moments, they should have killed off Cusack instead and kept him. This movie plays on the hype of 2012. It is for suckers.
Showing reviews 1-5 of 453
|
|
|
Books,Magazines,Computers,Electronics,Camera,Home & Garden,Hardware and other | |
